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Bécquer's Disembodied Soul

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EL RAYO DE LUNA - GUSTAVO ADOLFO BECQUER

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Sep 11, Maria Laura rated it it was ok Shelves: Michael Lloyd-Billington rated it liked it Dec 27, Walter Mendoza rated it did not like it May 31, Blanca Ruiz rated it it was amazing Nov 28, Pau Morales rated it really liked it Oct 19, Michael Lloyd-Billington rated it liked it Dec 29, It is noteworthy that Becquer presents these ideas and images. In the first strophe is announced that vertical flight, common. Martin Ebon thus concludes his article on the telepathic dream:.

And tears and tortures, and the touch of joy:. They leave a weight upon our waking thought. The dream and daydream are fundamental to Beequer's percep-. Read Free For 30 Days. Flag for inappropriate content.


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Related titles. Rough Translation of Emil Stejnar's schutzengel book. British Government and the Governor Eyre Controversy. Jump to Page. Search inside document. It is taken up by Plato, Cicero and Macrobius, and becomes the basis for the dream-vision of medieval literature, whose paragon is Dante's Divine Comedy. In Western tradition it was Plato who first wrote of the winged and soaring soul, that of the "pair of winged horses and a charioteer. He said that when his soul left the body and went on a journey with a great company Cicero, in De Divinatione,3 presumes to attack the practice of oneiromancy, but while doing so engages in perspicacious reflection on the nature of dreams.

Yonge London, , p. The idea of the disembodied soul was taken up again by the early romantics and pre-romantics. Edward Young's Night Thoughts enjoyed a spectacular popularity in his lifetime, and inspired the Spanish pre-romantic Cadalso, but fell later into disrepute and is read now primarily for the splendid engravings by Blake that embellish it. Yet this discredited work contains some lines of exceptional beauty, lines that introduce the romantic theme of the wanderings of the soul in dream: While o'er my limbs sleep's soft dominian spread: What, though my soul fantastick measures trod O'er fairy fields; or mourn'd along the gloom Of pathless woods; or down the craggy steep Hurl'd headlong, swam with pain the mantled pool; Or scaled the cliff; or danced on hollow winds With many antick shapes wild natives of the brain?

Novalis, who had been a stu- dent of Schiller, imagined vast cosmic voyages within the self Polen, His unfinished novel, Heinrich von Ofterdingen, opens with a description of the hero's wild and far-ranging dreams: He wandered over oceans with inconceivable ease; he saw strange crea- tures; he lived with many kinds of people, in war, in wild tumult, in quiet 4Macrobius, A Commentary on the Dream of Scipio, trans. Stakl New York, He fell into captivity and into most ignominious affliction.

He went through an infinite variety of experiences; he died and came to life again, loved most passionately, and was then separated from his loved one forever. He was "every night.. This particular kind of oneiric experience, in which the dis- embodied soul rises, soars, travels vast distances, in an indetermi- nate time, becomes one of the characteristic forms that dreams take in Becquer's Rimas. It is, of course, a variation of the dream of flight, the imagination of ascension and verticality whose phenome- nology has been delineated with poetic insight by Gaston Bachelard in his L'Air et les songes.

Bachelard insists, rightly, that ascen- sion and verticality always imply, metaphorically, a movement to higher moral and spiritual values; and that they express a kind of nostalgia for a state of lightness that we have lost: "Is it not the timeless and immense memory of an aeriel state, of a state in which all is weightless, where our material has an innate light- ness? This "transportation" is similar in form to those dream experiences among "primitive" peoples described by anthropolo- gists.

In the Chumash culture of southern California, the eating of the datura or jimsonweed produced colorful hallucinations, and "Shamans under its influence thought themselves transported through space and time.

Meaning of "caudillo" in the Spanish dictionary

Palmer Hilty New York, , pp. The passage quoted is from the Spanish version, El aire y los sueiios Mexico, , p. Tart l and others have reported scientific research and experimentation in what Tart calls Out-of-the-Body-Experi- ences OOBE'S , in which the "second body" or the "astral soul" leaves the body of the subject to view itself from the ceiling or to visit distant places.

It is speculated that the belief in the soul leaving the body at death derives from such experiences.

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Some of the subjects claim that they are not dreaming while undergoing an OOBE, but Tart admits that it could be a "lucid dream," or a dream-within-a-dream, in which the subject is aware of himself dreaming. Becquer's out- of-the-body dreams seem to fit within a pattern of these experi- ences, especially Rima lxxv. This flight of the soul is to be found also in the first of Becquer's leyendas, the curious "El caudillo de las manos rojas," based on oriental sources: Cuando la materia duerme, el esplritu vela. En tanto que el cuerpo del caudillo permanece inm6vil y sumergido en un letargo profundo, su alma se reviste de una forma imaginaria y huye de los lazos que la aprisionan para lanzarse al eter; alli la esperan las creaciones del Suenio, que le fingen un mundo poblado de seres animados con la vida de la idea.

But this motif and related ones occur in several other of the rimas. Edgar Mitchell New York, , pp. All quotations from the Rimas will refer to this edition. And in Rima lxxxvi attributed he once more asks the beloved if she felt his presence in dream, as he, in dream, was certain that he left his body to visit her alcoba: ,No viste entre suenios por el aire vagar una sombra, ni sintieron tus labios un beso que estall6 misterioso en la alcoba Pues yo juro por ti, vida mia, que te vi entre mis brazos, miedosa, que senti tu aliento de jazmin y nardo, y tu boca pegada a mi boca.

In Rima lxxi, whose two first strophes describe what Freud called the hypnagogic state between dreaming and awakening , the poetic speaker later suggests that he had a telepathic or pre- cognitive dream: Y oi como una voz delgada y triste que por mi nombre me llam6 a lo lejos, y senti olor de cirios apagados de humedad y de incienso. Martin Ebon 13 presents a balanced and objective view of parapsychological studies referring to the telepathic or precognitive dreams, and offers tentative evidence for their existence.

In Rima lxxv, Becquer provides us with the most thorough rendering of the oneiric experience of the "disembodied soul. IY alli desnudo de la humana forma, alli los lazos terrenales rotos, breves horas habita de la idea el mundo silencioso? Y rie y llora y aborrece y ama y guarda un rastro del dolor y el gozo, semejante al que deja cuando cruza el cielo un meteoro? La cruz del diablo , La ajorca de oro , Los ojos verdes , Creed en Dios , El rayo de luna , El Miserere , Tres fechas , El Cristo de la calavera , El gnomo , La cueva de la mora , La promesa , La corza blanca , El beso , El aderezo de las esmeraldas , La venta de los gatos , Un boceto del natural , Un lance pesado.

Memorias de un pavo , Las hojas secas. La voz del silencio , , Released by Fernando Iglesias Figueroa. La fe salva , , Released by Fernando Iglesias Figueroa. La mujer de piedra , Unfinished. Amores prohibidos. El rey Alberto. Abovian Alencar Alfieri Andersen A.


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